ufboost.blogg.se - Slate vcc 2.0

Includes two plugins that faithfully reproduce the signal path of the consoles channel and mixbuss.This compressor is based on the classic RED-faced compressor that has been a favorite of mix legend Chris Lord Alge, who first showed it to me when I visited his studio years ago.

Choose from 6 meticulously modeled analog consoles.

You can even push the DAW faders up to find each mixer's "sweet spot." Features The imaging and depth improves, instruments sit better in the frequency spectrum, and mixing becomes easier and more musical. When using the Virtual Console Collection, your DAW instantly takes on the personality of a real analog mixing desk. Virtual Mixbuss goes on the first insert of the master fader. Virtual Channel is applied on individual mixing channels. Each plugin allows the user to choose from one of five modeled consoles. The VIRTUAL CONSOLE COLLECTION consists of two plugins, Virtual Channel and Virtual Mixbuss. We meticulously modeled the entire circuit path so that we could recreate every subtle nuance that makes these consoles the legends that they are," says Slate. "Slate Digital CTO Fabrice Gabriel and I studied these consoles inside and out.

The Slate Digital VIRTUAL CONSOLE COLLECTION brings the sound of 6 of the world's top analog consoles into your DAW workstation. Now in 2011, Slate once again stirs up the analog summing world, this time in the digital domain. The FOLCROM continues to be one of the most popular analog summing boxes on the market, used by mixer Mike Shipley and other top names. In 2001, Steven Slate made his mark in the analog summing world by commissioning Roll Music Systems to design and manufacture a custom analog summing box that was later named the FOLCROM. Over the past ten years, multiple audio manufacturers have produced simplified analog summing boxes that allow DAW users to get the benefits of analog mixing without having to use a full fledged analog desk. The separation and imaging from the analog summing is very apparent, especially when your track count gets high" remarks mixer Jay Baumgardner (Papa Roach, Evanescence).

"When you mix through an analog desk you get this life and body to the sound that just doesn't happen when you mix inside the workstation. Audio engineers rely on analog mixing to provide the nonlinear musical qualities that digital mixing does not produce. Despite the digital revolution in the audio industry, many of today's top commercial albums are still mixed on analog consoles.